Vietnamese is written in the Latin alphabet, which makes it look like a soft start, and then it turns out that the marks above and below the letters are half the language. Six tones, and a set of vowels English does not have. iLexiBox teaches the tones as part of the alphabet rather than after it, because a Vietnamese syllable said on the wrong pitch is not an accent, it is a different word.
The Vietnamese on-ramp is written by hand, not generated, and it is 199 cards long. Every card is spoken in a recorded Vietnamese voice, and what you get right is scheduled for review rather than shown again at random.
Three of the pronunciation cards, exactly as the course teaches them:
Once you are reading, the level is the point. The Text Generator writes Vietnamese at the CEFR level, length, topic and format you ask for, so the step up is a setting rather than a new book. Speaking scores you word by word as you read aloud. The Conversation Partner talks back. The Translator explains a sentence instead of replacing it, and the Corrector marks what you wrote and says why.
Above the on-ramp sits the Path — a station map from A1 to C2 with grammar, vocabulary and checkpoint stations — and Words & Notes, where everything you save comes back on a spaced-repetition schedule in seven quiz styles.
The album is a photograph for every word, shelved by category, each caption written in Vietnamese and spoken in a real recorded voice rather than synthesised on the fly. It doubles as a game: see the picture, spell the word. Free to replay.
ma, mà, má, mả, mã and mạ are six words, and the difference between them is nothing but melody. The marks are a good notation for it — the huyền leans down and the voice sags, the sắc leans up and the voice pushes — but the sound itself has to be copied off a recording, which is why every card carries one. Underneath the tones sit the vowel triples, where a, ă and â are three distinct vowels rather than one letter decorated, and a set of final consonants that the mouth forms but never releases.